B-Stock Mackie SR24.4 VLZ Pro 24 Channel Mixing Desk
For professional sound, nothing beats Mackie. Andertons Music are delighted to offer these wonderful, full spec mixers at a greatly reduced price! These mixers have been graded B-Stock by Mackie. This can mean a lot of things, maybe they've been out for a demo, maybe the packaging is soiled, maybe there's a scratch on the unit. One thing it does mean is that you can save a lot of money and still get a full 12 month warranty!
For more details, contact the shop on 01483 456777
Here's what Mackie say about the 24.4 VLZ Pro
Four buses make live mixing a breeze because you can submix groups of inputs and then control them with one fader - for example, all of your background vocals or all your drum mics.
The SR24.4-VLZ PRO has 20 mono mic/line channels with XDR mic preamps PLUS 2 special line level channel strips. Equalization on the SR-VLZ PRO Series mixers is very versatile. Besides the fact that Mackie's Hi and Lo shelving EQ are centered at useful frequencies - 12kHz - the SR24.4-VLZ PRO has sweepable midrange EQ (on mono channels). You can center the midrange anywhere from 100Hz to 8kHz, low enough to use as a second low frequency EQ, and high enough to use in the high frequency range. (Stereo channels on mixer has 4-band EQ, with 12kHz and 80Hz Hi and Lo shelving EQ, and 2 fixed mids at 3kHz and 800Hz). And a low cut filter (on mono channels) centered at 75Hz allows you to cut out mic thumps and wind noise that can enter your mix and rob you of amplifier power.
The SR-VLZ PRO Series mixers have 6 aux sends per channel, with the flexibility to handle multiple chores at once. Two of the aux sends are pre-fader, so you can use them for monitor sends during a live session. Two other aux sends are post-fader, which you would want for effects during studio tracking and mixdown. But get this: the final 2 aux sends are switchable to pre- or post-fader! So you can have 4 pre-fader aux sends, or 4 post-fader aux sends, whenever you need them.
Along with great channel EQ, SR-VLZ PRO mixers come with factory "Air." This peaking EQ circuit, centered at 16kHz, enhances guitars, vocals, percussion, whatever, giving a gentle "lift" to the extreme high end. The result is extra detail and fidelity in the high end. Sound On Sound magazine said about Air: "[The] Air controls turned out to be far more effective in adding top-end clarity than you might first imagine - it's almost an 'exciter' kind of effect, but without the harshness."
When you put all of the SR-VLZ PRO Series' features and enhancements together, you'll have 2 highly-affordable sound reinforcement mixers with what it takes for both live and small studio applications.
Features: Premium XDR mic preamps (20 on the SR24.4 VLZ PRO)
4 submix buses
6 aux sends (2 pre, 2 post, 2 switchable pre/post)
3-band EQ with sweepable mids (4-band fixed EQ on stereo channels)
75Hz Low cut filter on all mono channels
"Air" EQ on sub buses
Talkback section with level control, LED, and separate rear XLR input
"Double-bused" sub outs for eight track recording without repatching
Inserts on all mono channels and subs
AFL/PFL solo on all channels (globally switchable)
60mm log-taper faders for consistent fades
Balanced XLR and 1/4 in. main outputs
Additional mono XLR main out with level control
Balanced inputs and outputs (except phones, inserts, RCAs)
Built-in power supply
12V BNC lamp socket
Best RFI resistance of any compact SR mixer in the galaxy thanks to advanced DC-pulse transformers.
New! ultra-high-performance 2068 op amps for incredibly low noise and distortion
Improved cooling for even greater thermal protection in hot environments
New! XDR mic preamps with 60dB gain range, 130dB dynamic range, 192kHz bandwidth, 0.0007% THD
Technical InfoNoise (20Hz to 20kHz bandwidth, Line inputs to Main L/R outputs, all channels assigned, panned L/R): Master fader down, Ch. gains down -94.7dBu Master fader @ unity, Ch. gains down -87.4dBu Master fader @ unity, Ch. gains @ unity -83.5dBu
Total Harmonic Distortion (THD): 1kHz @ +14dBu: 20Hz - 20kHz Mic in to Main out: below 0.0007%
Crosstalk (1kHz @ 0dBu, 20Hz to 20Khz bandwidth, channel in to Main Left outputs): Channel fader down, channels at Unity -89.5dB Channel muted, channels 2-16 at Unity -88.7dB
Frequency Response (any input to any output): 20Hz to 60KHz +0/-1dB 10Hz to 100KHz +0/-3dB
Maximum Levels: Mic preamp input +22dBu All other inputs +22dBu Balanced XLR outputs +28dBu All other outputs +22dBu
Impedances: Mic preamp input 1.3 kOhms All other inputs >10 kOhms All outputs 120 Ohms
Equalization: Lo EQ: Shelving 80Hz �15dB Mid EQ (mono ch): Peak 100-8kHz �15dB Hi EQ: Shelving 12kHz �15dB
Microphone Preamp: E.I.N. (150 O terminated, max gain): -129.5dBm
Power Requirements: 60 watts
Weight: 14 kg (31 lbs.)
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